Unassuming, unusual and enigmatic, T.E. Yates is a multi-disciplinary artist of rare and disarming qualities that must be seen and heard to be believed.
Unusual with an ecumenical, euphoric quality.
—Pete Jobson, I Am Kloot
Nick Drake's "Hazy Jane" with a touch of Roy Orbison.
—Michelle Hussey, BBC Radio Manchester
Most musicians boast of exploding onto their local scene in a glittering blaze of media hype and spontaneous applause. T.E. Yates, however, snuck in through an open window.
His name was not on the top line of event posters but rather a discreet artist signature in the bottom corner; his first gig flyers and album covers were ones he designed for other bands not himself. He’s performed in front of huge crowds but always as a hired hand or supporting player, a multi-instrumentalist in the shadows – mandolin, banjo, harmonica, even musical saw – you may have heard him on the tracks of other artists without even knowing it.
But now T.E. Yates has stepped out of the shadows, taking centre-stage with a formidable backing band (both onstage and on record) comprising members of Victorian Dad, The Bedlam Six, Ottersgear, Gorilla Riot and Honeyfeet. Even when performing solo the man doesn’t travel light, his weird and wonderful drawings regularly making an appearance between songs, baffling and delighting audiences in equal measures.
His debut EP “Possessed” was released on Debt Records in 2013. He is currently recording his first full LP (produced by Biff Roxby), entitled “Silver Coins And White Feathers”, due out in early 2017.